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Annie Darling

True Love at the Lonely Hearts BookshopAnnie Darling lives in London in a tiny flat, which is bursting at the seams with teetering piles of books. Her two greatest passions in life are romance novels and Mr Mackenzie, her British Shorthair cat. ‘True Love at the Lonely Hearts Bookshop’ is the second book in her ‘Lonely Hearts Bookshop’ series.

  1. To readers of the blog who may not be familiar with you or your writing, can you tell us a bit about yourself and how you got into writing.
    Hello! I’m Annie. Long time reader, fairly new writer of lighthearted romantic comedy. I live in London and I like bookshops, cats, long walks… (This is starting to sound like a dating profile!)

    I’ve always loved love stories, always wanted to write one, had so many false starts but then I ended up writing first draft of ‘The Little Bookshop Of Lonely Hearts’ in a frenzied six weeks and everything fell into place.

  2. Can you tell us about your new book ‘True Love at the Lonely Hearts Bookshop’.
    It can be read as a standalone but it’s the second book in my ‘Lonely Hearts Bookshop’ series, set in a Bloomsbury bookshop, Happy Ever After, “a one stop shop for all your romantic fiction needs.” It’s the story of Verity Love, Happy Ever After’s manager, vicar’s daughter, middle one of five sisters, Pride & Prejudice obsessive and introvert. She absolutely does not want a relationship and neither does posh architect, Johnny. But to get their meddling, matchmaking friends to leave them alone, they join forces to do the summer season of weddings, birthdays and barbecues. But things don’t go quite according to plan.
  3. If you were to start your own book club, what authors would you ask to join?
    Jane Austen (of course,) Jackie Collins, Jilly Cooper and JK Rowling. All the J’s and some very lively discussion!
  4. What’s your favourite part of the writing process?
    At the very beginning, when I have my idea and outline and I’m raring to go and anything seems possible and I’m going to write the best book ever. Alas, disillusionment soon sets in.
  5. Who’s your favourite literary hero or heroine?
    Nick and Nora Charles from Dashiell Hamnett’s ‘Thin Man’ series. #relationshipgoals
  6. From books to films, what’s been your favourite adaptation?
    The BBC production of ‘Pride & Prejudice’ with Colin Firth and Jennifer Ehle. I will accept no substitutes.
  7. If you were starting your writing journey again, would you do anything differently?
    I wish I’d had the courage and the self-belief to take the plunge and start writing much earlier.
  8. If you were stranded on a desert island, which three books would you bring with you to pass the time?
    Oh gosh! Difficult one. Maybe ‘The Collected Mapp’ & Lucia novels by EF Benson – I’m sure you can get them in one volume so it’s not cheating. ‘Lace’ by Shirley Conran and ‘The Mitford Letters’.
  9. What area do you suggest a budding writer should concentrate on to further their abilities?
    Read! Read! Read! You can’t be a writer without being a reader first.
  10. When sitting down to write, what is the one item you need beside you?
    A great big pot of tea.
  11. And finally Annie do you have any projects or releases on the horizon which you would like to share with the readers of the website?
    I’m hard at work on the third book in the series, Nina’s story, ‘On The Shelf At The Lonely Hearts Bookshop’, out next spring.

    Thank you for having me your blog. xxx

Follow on Twitter Annie Darling for updates.

You can buy True Love at the Lonely Hearts Bookshop from Amazon and is available to buy from good bookshops.

Allegra Huston

Allegra HustonAllegra Huston has written screenplays, journalism, and one previous book, ‘Love Child: A Memoir of Family Lost and Found’. After an early career in UK publishing, including four years as Editorial Director of Weidenfeld & Nicolson, she joined the film company Pathé as development consultant. She wrote and produced the award-winning short film Good Luck, Mr. Gorski, and is on the editorial staff of the international art and culture magazine Garage. She lives in Taos, New Mexico, with her 14-year-old son.

  1. To readers of the blog who may not be familiar with you or your writing, can you tell us a bit about yourself and how you got into writing.
    I read English at university, then went into publishing. I was an editor at Chatto & Windus and then Weidenfeld & Nicolson, before going to work for a film production and distribution company. That was when I started writing screenplays. I was also writing a few magazine articles here and there, mostly travel. I woke up one morning with the idea to write a piece about how lucky I feel to have two fathers (not two gay fathers – it’s a complicated story…) and that article eventually became my first book, ‘LOVE CHILD: A Memoir of Family Lost and Found’. The nice thing about writing a book, after writing screenplays, is that there’s a comparatively short path to its emergence into the world. But I couldn’t write a second memoir: I’d already told the personal story I wanted to tell. So I started to think about a novel.
  2. Can you tell us about your new book ‘Say My Name’.
    It’s a love story between an older woman and a younger man – she’s 48, he’s 28. But really it’s a story about a woman’s transformation and self-empowerment. I knew I wanted to write a book that would be fun to read, that would be intimate, and that would have the texture of real life: not just a romp. My romantic fantasy, for as long as I can remember, was that a great song would be written for me. So that was the starting point for my story. The man would have to be a musician; he’d have to be in his twenties … And the woman, Eve, was in a life situation very like my own when I began writing.
  3. What’s your favourite part of the writing process?
    Editing, definitely. That’s my comfort zone; I’ve been doing it for thirty years. I find the blank page pretty terrifying still, but I love the feeling when it’s all coming together.
  4. Who’s your favourite literary hero or heroine?
    Ishmael in ‘Moby-Dick’. He’s not really a hero: he’s an adventurer but also an observer, level-headed in the middle of the craziness. I most identify with Anne Elliot in ‘Persuasion’.
  5. From books to films, what’s been your favourite adaptation?
    ‘The Year of Living Dangerously’. One of my favourite films of all time. A wonderful book and a brilliant adaptation. Also ‘The English Patient’, I liked the film better than the book, which is rare for me.
  6. Was there ever a book that you read, that didn’t live up to the hype that surrounded it and left you disappointed?
    Absolutely! But writing is so damn difficult, I don’t have any desire to criticise anyone else’s work. That’s why I’ve always said no to reviewing. I love helping someone make their book better, before it’s published. After it’s published, it’s too late to find fault. Just congratulate them for doing it at all.
  7. If you were starting your writing journey again, would you do anything differently?
    I would read something else at university. Anthropology, maybe, or psychology. Having such a developed critical mind doesn’t necessarily help you when you start writing yourself. Very few of us write a finished draft, or anything close to it, straight onto the page; but the critical mind unreasonably expects it.
    Say My Name
  8. If you were stranded on a desert island, which three books would you bring with you to pass the time?
    I’m assuming that the collected works of Shakespeare are already on any desert island worth its salt. And that you’d ban a manual on how to build a boat out of available materials. I’d bring ‘Moby-Dick’, which I find endlessly fascinating; Ford Madox Ford’s ‘The Good Soldier’, because I’m still trying to figure out quite how he pulled that off; and Julian Jaynes’s ‘The Origin of Consciousness’ and the ‘Breakdown of the Bicameral Mind’. The theory behind it has been disproved, but it’s still one of the most extraordinarily intense, erudite, preconception-shattering books ever written – one of those books that you feel that you’re almost understanding, but then you think you haven’t quite, and have to read it again.
  9. What area do you suggest a budding writer should concentrate on to further their abilities?
    Writing screenplays teaches you a lot about structure, and about getting meaning into the story that’s not spelled out on the page. I think that’s a very useful discipline for all storytellers. I also love ten-minute writing exercises. They don’t give you enough time to think: it’s improv for writers. And that’s where the sparks, the energy, the originality, come from.
  10. When sitting down to write, what is the one item you need beside you?
    A mug of tea: tulsi or kukicha.
  11. And finally Allegra do you have any projects or releases on the horizon which you would like to share with the readers of the website?
    ‘Say My Name’, my first novel, is published on 27 July. I’m appearing at the Port Eliot Festival in Cornwall on Sunday, 30 July, at 4 pm, in conversation with Rowan Pelling, editor of ‘The Amorist’ and with a special appearance by the brilliant Sarah Gillespie, who wrote the song that’s at the centre of ‘Say My Name’; and on Woman’s Hour on August 1. I’ll be teaching a memoir writing workshop in Deia, Mallorca, October 22-27; details on my website, allegrahuston.com – join us!

Follow on Twitter Allegra Huston for updates or check out her website at Allegra Huston

You can buy Say My Name from Amazon and is available to buy from good bookshops.

Angela Clarke

Angela ClarkeAngela is an author, playwright, columnist and professional speaker. Her debut crime thriller ‘Follow Me’ was named Amazon’s Rising Star Debut of the Month January 2016, long listed for the Crime Writer’s Association Dagger in the Library 2016, and short listed for the ‘Good Reader Page Turner’ Award 2016. ‘Follow Me’ has now been optioned by a TV production company. The second instalment in the ‘Social Media Murder’ Series, ‘Watch Me’ is out January 2017. And the third ‘Trust Me’ is out now.

  1. To readers of the blog who may not be familiar with you or your writing, can you tell us a bit about yourself and how you got into writing.
    My name is Angela Clarke and I’m a chocoholic. I also write the ‘Social Media Murder’ Series, including CWA Dagger in the Library long listed and Dead Good Reader Page Turner short listed ‘Follow Me’, which has been option by a TV production company, and Sunday Times bestseller ‘Watch Me’. I got into this by accident, I set out to write about the internet and how we use our new found online power for good and bad, but the body count was so high it had to be crime, baby.
  2. Your successful social media series is all about social media, why did you decide to use this topic?
    So many crime novels are based in a community, with that location shaping both the characters and the story. With 15 million people in the UK on Twitter, and 24 million Brits using Facebook every day, social media is our newest, biggest and fastest growing community. It links people who might otherwise never have interacted or met, opening us up, and influencing us in ways we’re only just starting to appreciate. It’s fresh and fertile ground to explore the darker side of humanity.
  3. If you were to start your own book club, what authors would you ask to join?
    Oh! So many! Like most writers, I was a reader first and I love books. I’ve just finished Luca Veste’s ‘Blood Stream’, which was dark and disturbing, and delved into reality TV, online interaction, love and other themes close to my heart, so I definitely want him in. I’ve also just read Steve Cavanagh’s ‘The Liar’ which was a rip-roaring legal thriller with a former con artist turned lawyer at its heart: his Eddie Flynn is an amazing character. So he’s in! And then we need some ladies to even out the testosterone; I’d go for Claire McGowan, Steph Broadribb, SJI Holliday, Jane Casey and Sarah Hilary, because I love their characters and their work, and I know I can get pissed with them. Wine is an important part of a book club, right?
  4. What’s your favourite form of social media to communicate on?
    It changes daily, and for different reasons. I like Twitter for jokes, Facebook for secret clubs, Snapchat for filters, and Instagram for making me feel calm. I’m having a hectic day today, so Instagram it is. Excuse me while I go meditate over a shot of some beautifully lit, artfully arranged books and a cup of coffee.
  5. What’s your favourite part of the writing process?
    Either the bit at the very beginning, when you have this idea you can barely contain, and it’s bubbling out of you at every opportunity. (Not to be confused with the bit where you actually start typing). Or the bit at the end when you’ve redrafted, and what was as unwieldy word monster has taken shape and looks like a real book. And you give a big sigh of relief because you can still do it (and you feared you couldn’t).
  6. What do you think makes a good crime book?
    A killer hook. A pacey read. And enough tension you need a massage while reading it.
  7. If Freddie and Nas were to be adapted for screen, who do you imagine playing the ladies?
    Freddie and Nas are quite young, only 24 in ‘Trust Me’, which makes it hard to pick. For Freddie, you want someone like Pheobe Waller-Bridge or Lena Dunham five years ago. Bel Powley from ‘Diary of a Teenage Girl’ would be great. For Nas, perhaps Amber Rose Revah or Aysha Kala, who were both great in ‘Indian Summers’. It speaks volumes of the media industry, that there aren’t a huge number of young, female, mixed heritage or British Asian actresses getting screen time at the moment.
  8. From books and films, who has been your favourite bad guy?
    The unnamed serial killer in Graeme Cameron’s ‘Normal’. He’s a deliciously darkly comic creation, you find yourself rooting for him. He’s a brilliant character!
  9. Trust Me

  10. If you were stranded on a desert island, which three books would you bring with you to pass the time?
    Does my Kindle count as one? If not, could I just take my current TBR (to be read) pile with me? I have so many I want to get through it’d be really handy.
  11. What area do you suggest a budding writer should concentrate on to further their abilities?
    Make sure that you have a strong hooky plot that can be condensed (and sold) on one or two snappy sentences. If those sentences reel people in and make them want to hear more, you know you’ve got a strong idea.
  12. When sitting down to write, what is the one item you need beside you?
     Water. I drink gallons of the stuff. It powers me, like other people use coffee. I can’t function without it. Unless I spill it over my keyboard, then I can’t function at all.
  13. And finally Angela do you have any projects or releases on the horizon which you would like to share with the readers of the website?
    I’m so excited that the third in the ‘Social Media Murder’ Series, ‘Trust Me’, is out June 15th. It’s inspired by a real-life case, and centres on a head teacher who sees a serious assault live streamed over the internet, but when she reports it she discovers the account it streamed from has been closed, and she has no idea who the victim, or the perpetrator is. No one believes that what she saw is real, and she has to find a way to track down the girl in the live stream who needs her help. It’s an exploration into how the internet has opened a window into strangers lives, and sometimes you see things you shouldn’t have. Things that could put you in danger.

Follow Angela Clarke on Twitter Angela Clarke for updates or check out her website at Angela
Clarke

You can buy the ebook and paperback from Amazon and is available to buy from good bookshops.

Veronica Henry

Veronica HenryVeronica Henry has worked as a scriptwriter for ‘The Archers’, ‘Heartbeat’ and ‘Holby City’ amongst many others, before turning to fiction. She won the 2014 RNA Novel of the Year award for ‘A Night On The Orient Express’. Veronica lives with her family in a village in north Devon.

  1. To readers of the blog who may not be familiar with you or your writing, can you tell us a bit about yourself and how you got into this?
    I started out typing scripts on ‘The Archers’ and it was there I realised that people need an escape from everyday life, whether from books or radio or TV. I learned a lot about storytelling from reading the scripts and hearing them recorded in the studio. I went on to become a script editor for ITV, then when I had my first child I jumped over the fence and wrote scripts for ten years. I wrote for ‘Doctors’ and ‘Heartbeat’ and ‘Holby City’. Then in 2000 I realised my real love was for books and by a miracle I got a book deal! I’m now on my 17th novel.
  2. What’s your favourite part of the writing process?
    It’s a bit of a love/hate relationship. When it’s going well it’s as if someone is dictating the story to you and it just flows through your fingers. When it goes badly you can’t imagine being able to write another word. I like naming my characters, and decorating their houses – that can hardly be called work! I also like the big emotional turning points: the confrontation or the revelation or the secret encounter And parties – I love writing a party. There are always so many things going on underneath the surface glitter.
  3. If you were to start your own book club, what authors would you ask to join?
    Oscar Wilde, Jilly Cooper, Elizabeth Jane Howard, Hemingway, Scott and Zelda Fitzgerald. There would probably be wine too!
  4. What do you think makes a good book?
    Character character character. As long as you care about the characters, you will be engaged – even if you don’t actually like them.
  5. Was there ever a book that you read, that didn’t live up to the hype that surrounded it and left you disappointed?
    I’m not a massive fan of ‘Pride and Prejudice’ – I know that’s controversial, but I find it a bit irritating. Though I suppose that hasn’t been hyped as such!
  6. From books to films, what’s been your favourite adaptation?
    I absolutely love ‘The Railway Children’. It’s a wonderful book but the film version wrings every drop of emotion from the pages.
  7. Who is your all time favourite character from a book?
    I’m a little bit smitten by Boris from ‘The Goldfinch’ by Donna Tartt – he is so naughty and dangerous and reckless and ingenious. He would never bore you. And I am fatally attracted to unsuitable men.
  8. If you were starting your writing journey again, would you do anything differently?
    I would learn to worry less and care more. If you enjoy your writing, it shines through in your work.
  9. The “Forever House

  10. If you were stranded on a desert island, which three books would you bring with you to pass the time?
    ‘Oliver Twist’, ‘Kitchen Confidential’ by Anthony Bourdain and ‘Madame Bovary’ in French to give me a challenge to occupy my mind.
  11. What area do you suggest a budding writer should concentrate on to further their abilities?
    All budding writers should remember that anyone can start a book, but not everyone can finish one. So keep going until you reach the end. Writing is an endurance test. It’s not enough to have a brilliant idea. It’s got to keep going for at least 300-odd pages.
  12. When sitting down to write, what is the one item you need beside you?
    My miniature Schnauzer, Zelda – who is named after Zelda Fitzgerald.
  13. And finally Veronica do you have any projects or releases on the horizon which you would like to share with the readers of the website?
    I’m writing my seventeenth novel – I can’t believe it. It’s still quite early stages – but I met someone last night and our conversation sparked something that gave me the missing ingredient. That’s why I love writing – a random encounter can develop into something really exciting.

    Oh – and my sixteenth novel ‘The Forever House’ is out now!

Follow on Twitter Veronica Henry for updates

You can buy The Forever House from Amazon and is available to buy from good bookshops.

Paul Finch

Paul FinchPaul Finch is a former cop and journalist, now turned full-time writer. He cut his literary teeth penning episodes of the British crime drama, The Bill, and has written extensively in the field of film, audio drama and children’s animation. He is also well known for his work in the thriller and horror fields. Paul lives in Lancashire, with his wife Catherine and his children, Eleanor and Harry.

  1. To readers of the blog who may not be familiar with you or your writing, can you tell us a bit about yourself and how you got into this?
    Absolutely. My father was a writer, so it was something I always wanted to do. However, when I left my education, I initially went into the police force in Manchester, did some time there, and then moved into journalism. By this time, I was in my late 20s and really getting the bug to put pen to paper. I was watching what at the time was a relatively new British police show, ‘The Bill’, and commented that, though I liked it, I didn’t think they’d got everything accurate. My father then challenged me to try and write for it, myself. As such, I bombarded ‘The Bill ‘with unsolicited speculative scripts, which were all studiously ignored until I actually wrote a television screenplay that was nothing to do with The Bill or its characters, but which was nevertheless a police story, and focussed on a murder inside a police station. When I sent this down, ‘The Bill’ asked me to go in and see them. They were sufficiently impressed, they said, to give me a few shots at the show.

    What I didn’t realise at the time was that I wasn’t a particularly adept writer, but that I did have something they valued, which was authentic police knowledge and experience. Anyway, it got me inside the door, and I was subsequently coached by what was then the best script department in British television. A number of my episodes went to air, so when I was made redundant by my Manchester newspaper in 1998, I already had a parallel career. By then, I’d also branched out into writing children’s animation and horror fiction – novels, novellas and short stories, and I subsequently won a number of awards, which began to draw wider attention to me. This led me into writing novels and full-cast audio dramas for ‘Dr Who’, but the real break I’d been waiting for came in 2012, when my agent persuaded me to return to my roots, crime fiction, and write a dark, hard-hitting police novel.

    The outcome of this was ‘Stalkers’, which was published by Avon (HarperCollins imprint) the next year, and introduced a new lead character – DS Mark ‘Heck’ Heckenburg. It seemed to achieve best-seller status with almost indecent speed, and I suppose the rest is now history. There have been six Heck novels to date, with the latest, ‘Ashes to Ashes’, published this April. The success of these books has also enabled me to launch a parallel series of cop novels, the Lucy Clayburn mysteries, in which the central character is female and where we adopt a slightly more down-to-Earth tone. The first of those, ‘Strangers’, was published in 2016 and made it onto the ‘Sunday Times’ top 10 list, which was very gratifying. The next one, ‘Shadows’, is due out next autumn. And that’s where we are up to at this point.

  2. Where do you get your ideas for your stories?
    Well, this a commonly asked question, but it’s always a difficult one to answer. I have three physical files of ideas, and each one is literally as thick as a telephone directory, if not more so. The ideas themselves come from all around me – places I visit, snippets of stories, both true and fictional, that I may hear, items on the news, conversations with friends, etc. I’m never without a notepad and pen, even when on holiday, so that I can quickly jot something down if it comes to mind. With crime novels, it’s relatively easy. I’ve drawn many times on my own police experiences, and on the experiences of friends and colleagues who I’m still in regular contact with. Just at this moment, I have so many workable ideas that I doubt I’ll ever be able to put them all into book form – which would be a shame, but there you go.
  3. If you were to start your own book club, what authors would you ask to join?
    I’m not going to name names, but I think it’s only fair to give the new guys and girls as much exposure as the old reliables. When I first joined HarperCollins, that was because my editor at Avon had given me a chance to show them what I could do. Although I’d had a career in television, that, on its own, never cuts much ice with novel publishers, as these two forms of writing are distinctly different disciplines – so they were taking a chance on me. As such, I guess I would like to extend the same favour to those lesser lights in the genre. I mean obviously, if it was in my power, I’d sign up all those major crime and thriller writers of the moment, and probably quite a few horror writers as well – I think we all know who these major players are, but I hope I’d also leave it open to the up-and-comers and the newbies. As a hobby, I edit the ‘Terror Tales’ series, which are region-specific anthologies of contemporary horror stories, currently coming out through Telos Publishing. I try to give as many lesser-known writers as I can slots in these. It only seems fair to put something back into the industry that has done so well for me, and that’s not just for purposes of philanthropy, but because the dark fiction industry needs to be nourished and re-seeded on an almost constant basis. The big names at the top are not getting any younger.
  4. What’s your favourite opening line from a book?
    I don’t know about favourite opening line, but I can give you my favourite opening passage, which is from ‘Jack’s Return Home’, as written by Ted Lewis back in 1970. It still remains one of my favourite crime novels. Most modern students will know it better as Get Carter, which was the film version made one year later. I think in pure atmosphere terms, there has never been a more effective opening than this:

    The rain rained.
    It hadn’t stopped since Euston. Inside the train, it was close, the kind of closeness that makes your fingernails dirty even when all you’re doing is sitting there looking out of the blurring windows. Watching the dirty backs of houses scudding along under the half-light clouds. Just sitting and looking and not even fidgeting.

  5. What’s your favourite part of the writing process?
    Well, I always enjoy the brainstorming stage, when I’m actually developing workable ideas, because I tend to do that with my wife and business partner, Cathy, when we’re out at dinner. But probably the most relaxing part of the operation is the second draft. I tend to dictate my first draft (more about that later), and then type it up. But the second draft is when the writing really starts, when, having already broken the back of the job by getting it down on paper, I find that I can play mood-music in the background as I work my way through the often jumbled text, shaping and reshaping it, turning it into something approximating a finished book, without requiring to use too much elbow-grease. Okay, it’s not always an idyllic experience; sometimes you realise you just got it plain wrong the first time and have no choice but to comprehensively rewrite, but that’s rare – and as I say, if I play the right kind of background music, the whole thing tends to breeze past. Those are the best days at work, I think.
  6. Ashes To Ashes

  7. What do you think makes a good crime book?
    One word – jeopardy. Now, don’t get me wrong; I love a good mystery as much as every other crime fan. I love rich characterisation and clever plotting. I love beautiful writing, even if the subject matter is not in itself beautiful. But I think jeopardy, i.e. the danger you feel in the narrative, is indispensable. If you can create a frisson of fear … if you can make your readers shudder at the thought of the peril facing your leads, then that is a job well done, in my view. On the strength of that, I suppose you could say that I’m not a massive fan of cosy crime literature. I prefer all my stuff to be edgy.
  8. From books and films, who has been your favourite bad guy?
    Well, I always like my villains, if possible, to be colourful, outlandish, mad, bad and dangerous to know. I’m not a fan of the kind of banal, miserable losers that most villains are in real life – ultimate no-hopers with a depressing existence and nothing to look forward to. So, I guess I go for the extremes. I always thought that Auric Goldfinger was a marvellous villain, and superbly played by Gert Frobe in the movie. Who can forget: ‘No Mr. Bond, I expect you to die!’ But in the novel, he was a way more bizarre character than that. He really hit all my buttons, especially as his scheme was so insanely ingenious. Another Bond villain I liked was Red Grant in ‘From Russia With Love’, who was Bond’s first psychotic opponent, a trained assassin who preferred to kill on a lunar cycle. Again, he was realised amazingly on film by Robert Shaw, who completely convinced us that this was a guy who might genuinely be more than a match for 007. Awesome stuff. Equally, I don’t think you can beat the Joker in the ‘Batman’ comics. The notion that someone can exist who is quite simply an agent of chaos, who wants to see the world burn for its own sake, is a thriller writer’s dream. What deadlier adversary could you have than that?
  9. If Detective Mark Heckenberg was adapted for screen, who do you imagine would play the role?
    If I could have anyone, it would be Tom Hardy. That’s not just because he’s the man of the moment, it’s also because he’s got the acting chops to pull it off. I’ve never seen Heck as a straightforward brute or he-man. Tom Hardy can do brute of course, but as he showed in ‘Locke’, he can also do sympathetic and nuanced characters. Tom’s name was actually mentioned the first time I had a meeting with a TV company who were interested in the project, but their interest wasn’t pursued. If anyone ever asks me, I always put Tom forward. For a time, I quite liked the Irish actor, Damien Molony. Everything about him felt right. But he’s since done two other cop shows, ‘Ripper Street’ and ‘Suspects’, so I’d be surprised if he wanted to do a third.
  10. If you were stranded on a desert island, which three books would you bring with you to pass the time?
    Funnily enough, whenever I’m asked questions like this, I have to answer that none of them would be crime fiction. Whitley Strieber’s 1978 horror novel, ‘The Wolfen’, is probably the closest because it follows a murder enquiry in the slum districts of New York City, though the culprits turn out to be a werewolf pack lurking in the derelict buildings. Just forget the poor-quality movie version, that novel is intensely terrifying and ticks all my boxes for a page-turning read. 

    The second one is ‘The Saxon Tapestry’ by Sile Rice, from 1991. You almost never hear about this book now, but it’s a heavyweight historical action/romance, telling the tale of the Norman Conquest of England in 1066, and the subsequent English uprising led by Hereward the Wake. Incredibly violent, the battle scenes are some of the most vivid I’ve ever read, but it’s also heartbreakingly sad and written with a poetic flourish that I’ve seldom seen anywhere else in prose. I cannot understand how the author is not better known.

    The third one, which kind of falls in between both those titles, is ‘Grendel’ by John Gardner, published in 1971, which re-tells the ‘Beowulf’ and ‘Grendel’ saga but from the perspective of the monster. Again, it’s a marvellously detailed picture of the Dark Age world, but it’s also a philosophical text and hugely imaginative. If you look at it from the point of view of a crime reader, of course, Grendel is the prototype serial killer, a disgruntled loner who responds to being disenfranchised by society with the only thing he does well, violence. You won’t need to be a fan of Norse mythology or Tokienesque fantasy to enjoy this one.

  11. What area do you suggest a budding writer should concentrate on to further their abilities
    Learn the lessons of rejection. Sorry, but I’ve no time for newcomers who won’t listen to the advice of those who’ve gone ahead of them. We all of us get rejections in our early days (and not just then either, trust me). As the old saying goes, we should keep all our rejection slips so that we can gloatingly wallpaper our studies with them when we become successful. It’s no picnic at the time, being told that your work isn’t up to scratch. But if you want to get on, you need to turn this disappointment to your advantage. So, if an editor or a publisher or a producer takes the time to tell you why he/she has rejected your work, you don’t have to accept it, but you at least need to take note of it. And if you hear the same thing again and again, the likelihood is that the fault lies with you, not them. In which case, if you can put it right, that could be the difference between getting rejected again when you next submit … or making a sale. The other thing is, and it’s tied to that, you’re going to have to tough these rejections out. This is no job for a snowflake. But if it helps, remember this – it’s a long, rocky road for all of us, and we trip lots of times, but we only actually fail the day we give up.
  12. When sitting down to write, what is the one item you need beside you?
    My most indispensable item is my Dictaphone. It always dictate my first drafts while I’m out walking the dogs. It gets me away from my desk, is probably good for me, and it certainly keeps our two springer spaniels in the trim. It also enables me to throw all sorts of stuff in there. As I said previously, once I’m actually typing it up, transforming what’s often just a stream of consciousness, a procession of ideas and broken sentences (though arranged roughly in the correct order), into actual text, I can discard anything that doesn’t work … but at least I get to hear it first on tape, so it gives me a pretty good idea. I think I can safely say that my Dictaphone is as essential a part of my process now as my keyboard.
  13. And finally Paul do you have any projects or releases on the horizon which you would like to share with the readers of the website?
    Well, ‘Ashes to Ashes’, the next Heck novel, is out on April 6, and I think I’ve already mentioned the next Lucy Clayburn novel, ‘Shadows’, which is due for publication on October 19 this year. Lucy, a young uniformed PC, went undercover as a Manchester prostitute to catch a female sex-killer in the first book, but in this one she’ll be facing a very different and more complex kind of villain. I think I can also reveal that ‘War Wolf’ – at least that was its working-title – which I co-wrote with regular screenwriter, Andy Briggs, is a movie adapted from an original novel of mine, and is now in preproduction, with Simon West, of ‘Con Air’ fame, at the directorial helm. It’s a medieval action-horror, set during the 100 Years War, and it follows a company of English knights, at the end of their tether after years of fighting, but who suddenly come up against a more ferocious foe than any of them have ever encountered before. Information updates about all these and other projects regularly appear on my blog, which can be found here – or you can chat to me, if you so wish, on Twitter and Facebook, and I shall always hand over whatever info I have available.

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