by Bronagh on September 22, 2020
John Marrs is an author and former journalist based in London and Northamptonshire. After spending his career interviewing celebrities from the worlds of television, film and music for numerous national newspapers and magazines, he is now a full-time author. â€˜The Mindersâ€™ is his latest book.
- To readers of the blog who may not be familiar with you or your writing, can you tell us a bit about yourself and how you got into writing
My name is John Marrs and Iâ€™m fortunate to be able to write for two publishers. For Thomas & Mercer, I write psychological thrillers and for Penguinâ€™s Ebury, I write psychological thrillers with a futuristic twist. Before giving it up three years ago to write full-time, I used to be a celebrity journalist and wrote for publications including â€˜OK Magazineâ€™, â€˜The Guardianâ€™s Guideâ€™, â€˜Total Filmâ€™, â€˜Qâ€™ and â€™Sâ€™ Magazine. Books started as a bit of fun – a challenge to myself â€“ and it ended up becoming an entirely new career.
- Tell us about your new book called â€˜The Minders’.
The premise is simple – if you could know every secret our country has ever kept â€“ good and bad – but canâ€™t tell a single soul, would you want to know? In The Minders, five ordinary people give up their lives for five years to take part in an experimental Government programme to store all our top secret data inside them. But as they start their lives afresh under new identities, someone is hunting them down and picking them off one by one.
- Congratulations on the exciting news of ‘The One’ being adapted for Netflix. Are you involved with the adaption of the book or have you passed the reins onto someone else?
Thank you! But no, Iâ€™ve had nothing to do with the adaptation. It is an eight-part series and I think it will be very different to the book, but Iâ€™ve not read the scripts or storylines. I canâ€™t wait to see what they have done with it. For me, once my book is complete, I move on to the next one and Iâ€™ll never read it again. With the TV version, it is now up to someone else to take my story and turn it into their vision. I did get to go on set and watch it being filmed in January which was a great and very surreal experience.
- Your books have been compared to the Netflix series ‘Black Mirror’, as they are quite futuristic. Where do you get your ideas from?
They can come from anywhere. â€˜When You Disappearedâ€™ came from an article I read in The Guardian, â€˜The Good Samaritanâ€™ came from a conversation with a friend who worked as a phone line operator for vulnerable people. I thought of â€˜The Oneâ€™ on an escalator in Londonâ€™s Underground and a book Iâ€™ll be working on soon came to me in a dream. I woke myself up and had to dictate it into my phone before I forgot it.
- If you were to start your own book club, what authors would you ask to join?
Iâ€™ve got to know a few since Iâ€™ve been writing, so Iâ€™d start with Cara Hunter, Claire Allen, Darren Oâ€™Sullivan, Louise Beech and Tom Rob Smith. Then Iâ€™d send out invitations to Peter Swanson, Gillian Flynn and John Boyne. They could rewrite the phone directory and Iâ€™d read it.
- Whoâ€™s your favourite villain or hero?
Patrick Bateman in â€˜American Psychoâ€™. What a book, what a character.
- Can you tell me about your planning process from planning to first draft?
Iâ€™m more of a pantser than a plotter, although I am trying to change that. My last book, The Minders, was the first I have properly planned and I quite enjoyed the process. For me, the first draft is all about getting those words and plotlines out of my head and onto the screen. Itâ€™s the second draft when the work really begins â€“ trying to make it into something readable for someone other than myself. By the third draft, itâ€™s really starting to take shape, by draft number four, I gain confidence in it. But by drafts five and six, I am sick to death of it and never want to read it again! Every year my writing process changes. I used to write for 90 minutes on the train to London in the morning, then for an hour at lunch time, and a further 90 minutes on the journey home. In fact, my first five books were written on trains. Then I gave up journalism in 2018 and started writing from home full-time. But since our son was born a year ago, itâ€™s now a case of making the most of the rare free time I have. When Iâ€™m writing, itâ€™s always in silence. I canâ€™t do background music. I always print the book out to do my edits, makes notes in coloured pens I buy from a shop called Muji and when I make the on-screen corrections, thatâ€™s when Iâ€™ll listen to playlists on Apple Music.
- Whatâ€™s your favourite opening line from a book?
â€œIn a hole in the ground there lived a Hobbit.â€JRR Tolkein was nothing if not straight to the point.
- If you were stranded on a desert island, which three books would you bring with you to pass the time?
â€˜Shantaramâ€™ by Gregory David Roberts has been sitting on my bookshelf for a decade and Iâ€™ve still yet to read it. Iâ€™m intimidated by its 900+ pages. Alex Garlandâ€™s â€˜The Beachâ€™ would be my second choice because after a lull of a decade in the 1990s, that book got me back into reading again. And my last choice would be John Boyneâ€™s â€˜The Heartâ€™s Invisible Furiesâ€™, a novel I loved so much that Iâ€™d only read a chapter at a time as I didnâ€™t want it to end.
- What area do you suggest a budding writer should concentrate on to further their abilities?
Iâ€™m still way too early in my journey to ever think I could offer anybody advice of my own! I can share these tips though – I was told to read out loud whatever I write when I start the editing process – and it has really helped me with pacing, grammatical errors and sentence structure. Iâ€™ve also learned that research is key â€“ if you want to write a commercially successful book, then pick a genre that people want to read. You might know everything there is to know about Himalayan snowdrops, but it doesnâ€™t mean other people want to read a book about them. And just get on with it â€“ so many writers waste time procrastinating or trying to come up with the perfect plot before they write. Sometimes you just need to put pen to paper and see where it takes you.
- When sitting down to write, what is the one item you need beside you?
I donâ€™t need anything other than a computer. Writing my first few books on trains taught me that I need nothing but a laptop. And that gives me the ability to write wherever I like â€“ a pub, a restaurant, a garden or in bed.
- And finally, do you have any projects or releases on the horizon which you would like to share with the readers of the website?
Iâ€™m in the process of taking a year out, so I wonâ€™t be publishing anything new until probably 2022. Itâ€™s nice not having a deadline for once. It means I can write for pleasure again and at my own pace.
You can buy ‘The Minders’ from Amazon and is available to buy from good bookshops.
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